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Auditions for Bach at Leipzig!

Posted by Coach House Theatre ; Posted on 
Auditions for Bach at Leipzig!



Coach House Theatre is seeking a diverse and absurd cast for the area premiere of ‘Bach at Leipzig’, a hilarious farce by Itamar Moses

Never heard of it? You’re about to!

The critics have said it’s….“A fleet-footed, quick-witted, brain-teasing farce. It’s a joy.” – San Francisco Chronicle

“If you like super-smart silliness, be ready to laugh until your ribs are sore. A who’s-on-first farce full of theatrical trickery and fizzy verbal slapstick.” – The Wall Street Journal

(NOTE: Prospective diverse and absurd Stage Managers, Designers and Crews please email jtbuck@akronwomanscityclub.org with resume and availability.)

Cast Requirements:

You must be interested in playing for the fun, because our actors (at least currently) are volunteers.

The production runs April 12th – 29th. If all goes well, perhaps longer. If all goes even better, perhaps shorter.

Casting is open to all genders, races, religious ideologies, a wide variety of ages, and even those unusually susceptible to pollen.

The Characters:

JOHANN FRIEDRICH FASCH – organist and Kapellmeister at Zerbst, fifties.
GEORG BALTHASAR SCHOTT – organist at the Neuekirche in Leipzig, fifties.
GEORG LENCK – organist and Kantor at Laucha, late thirties.
JOHANN MARTIN STEINDORFF – organist and Kantor at Zwickau, twenties.
GEORG FRIEDRICH KAUFMANN – organist and Kantor at Merseburg, fifties.
GEORG FRIEDRICH GRAUPNER – organist and Kapellmeister at Dramstadt, fifties.
THE GREATEST ORGANIST IN GERMANY – organist and Kantor at Hamburg.

The Georg’s outnumber the Johann’s 2 to 1!

Auditions, by appointment:
11 am – 1pm. Saturday, January 27th
6pm-8pm. Sunday, January 28th

Auditions will consist of ‘cold’ readings from the script. The colder, the better.

To schedule, please sign up online at: http://www.signupgenius.com/go/508084facaf2aa6ff2-auditions

Coach House Theatre is located 732 W. Exchange Street in Akron. In a very nice, old garage behind a very nice old mansion.

Callbacks, only if needed, will be scheduled based on auditioner’s availability.

About the Play:

Leipzig, Germany — 1722. The top music gig in all of Germany is up for grabs. In an age where musicians depend on patronage from the nobility or the church, the post at a prominent church in a cultured city is a near guarantee of fame and fortune -which is why some of the candidates are willing to resort to any lengths to secure it. And we mean ANY.

Featuring dazzling wordplay, a requisite number of doorslams, chases and hiding behind doors, and of course the glorious music of you-know-who…..BACH AT LEIPZIG is a fugue-like farcical web of bribery, blackmail, and betrayal set against the backdrop of Enlightenment questions about humanity, God, and art.

Even more reviews:

“The most stylish and substantive play based on classical music since Peter Shaffer’s Amadeus .” – Ithaca Times

“A funny, fiercely intelligent romp.” – Los Angeles Times

“A fleet-footed, quick-witted, brain-teasing farce. It’s a joy.” – San Francisco Chronicle

“If you like super-smart silliness, be ready to laugh until your ribs are sore. A who’s-on-first farce full of theatrical trickery and fizzy verbal slapstick.” – The Wall Street Journal

“A remarkably silly yet intellectually stirring comedy. Deserves to be a minor classic. Reaches for an ineffable beauty and mystery that is hard to shake.” – Queen Anne News

“Lovely, wise, tender, strong, and the best play I’ve seen — or can imagine — by a young playwright.” – Chicago Reader

“An intellectual fun-house of a play. With its wordplay, brainy allusions and virtuoso manipulations of artistic form, it has a ‘look-Ma-no-hands’ swagger. A poignant meditation on the artistic temperament and the transporting power of music.” – Washington Post

“Itamar Moses’ brainy comedy doesn’t settle for cheap laughs, though it has a lot of them. He’s got more — much more — on his mind…a look at pride, the meaning and duties of talent, and deep, discursive ruminations on whether music and people can — or should — evolve without spiritual faith.” – Seattle Weekly

“Moses may be some kind of genius.” – Seattle Post-Intelligencer

“Brilliant. What consistently amazes and delights is not just the wealth but the breadth of the intellectual fencing, which never misses a comedic beat. Moses reveals a remarkable ability to make a complex, intellectual play funny, with the feather-light touch of a modern Moliere.” –Shepherd Express Milwaukee

Bach at Leipzig was first presented at Hangar Theatre in Ithaca, NY, in 2002. It was directed by Kevin Moriarty. The play was subsequently presented Off Broadway at New York Theatre Workshop in New York City in 2005. It was directed by Pam MacKinnon.


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